Hippo on a motorcycle the first in an exciting collection of avant garden sculptures by world famous poet and photographer , Alphonsus, Aloyuisus, TotalfeckinEEjit
.According to art critic Brian Suet these sculptures 'portray intimate details of the script of 'life' both as we know it in a super nova cognitive manner and as we percieve it (or not) with the subconscious
.According to art critic Brian Suet these sculptures 'portray intimate details of the script of 'life' both as we know it in a super nova cognitive manner and as we percieve it (or not) with the subconscious
.They are (paradoxically) both an explanation and denial of mans ability and inability to express himself through the medium of dance. These teleological timepieces (that rust and decay and pass just as we humans do) are not just allegorical they are reality depicted in exactitude, no metaphor in this metal.(According to EEjit these incredible installations took many ,many minutes to make and almost an hour of thinking.) Mr Suet continues ' looking at EEjits work it's hard not to question the past, while querying the point of the future,positing ethnology ,biology,capitilism ,marxism,the planet itself and the unfathomabilty of it's inhabitants.Furthermore they give impetus to the swinging pendulum of the 'Is this art?' brigade and then stop them dead.They give an appropriation of the meaning of existential life that is both permanent and transient, latent yet so, so obvious, like the once ironically trendy kitsch ideal, we (through the artists visionary restraints) are held held hostage in a kitchen drawer. The simplicity of the piece is a red herring,even EEjit himself, the master of double-think and denial, claims the whole lot was just a load of shite that he found on a beach, that he lashed together under the influence of alcoholol.Well Mr EEjit is fooling no-one. The genius of the piece is realised through the emotional and physical distance between the viewer and the sculpture.At first glance it is an impersonal one, yet with familiarity the gap is narrowed to infinity and a new united perspective of duality is achieved.The Devil and angel within us, of change and chance, represent the inner model in response to the outer creation and we transcend barriers of apathy till ultimate involvement and empathy with the sculpture. Marvellous! '